Ulrike Meinhof on the brink
1969, just prior to going underground. She looks, here, simply depressed – the body language screams at you – agitated and heavy at the same time. Not a good way to be:
Here she is in 1967, groomed and made-up, speaking on television. Some of the mannerisms are there – the downward glance, looking away – but she turns back to face the camera, speaks emphatically, raises her eyebrows in punctuation. The self-presentation is challengingly articulate and intelligent; this is not some yahoo malcontent ranting about the evils of society, but a serious person defending a serious position:
Lieber wütend als traurig.
